
In Disney's "Alice Through the Looking Glass," an all-new spectacular adventure featuring the unforgettable characters from Lewis Carroll's beloved stories, Alice returns to the whimsical world of Underland and travels back in time to save the Mad Hatter. Directed by James Bobin, who brings his own unique vision to the spectacular world Tim Burton created on screen in 2010 with "Alice in Wonderland," the film is written by Linda Woolverton based on characters created by Lewis Carroll and produced by Joe Roth, Suzanne Todd and Jennifer Todd and Tim Burton with John G. Scotti serving as executive producer. "Alice Through the Looking Glass" reunites the all-star cast from the worldwide blockbuster phenomenon, including: Johnny Depp, Anne Hathaway, Mia Wasikowska and Helena Bonham Carter along with the voices of Alan Rickman, Stephen Fry, Michael Sheen and Timothy Spall. We are also introduced to several new characters: Zanik Hightopp (Rhys Ifans), the Mad Hatter's father and Time himself (Sacha Baron Cohen), a peculiar creature who is part human, part clock. Alice Kingsleigh (Wasikowska) has spent the past few years following in her father's footsteps and sailing the high seas. Upon her return to London, she comes across a magical looking glass and returns to the fantastical realm of Underland and her friends the White Rabbit (Sheen), Absolem (Rickman), the Cheshire Cat (Fry) and the Mad Hatter (Depp), who is not himself. The Hatter has lost his Muchness, so Mirana (Hathaway) sends Alice on a quest to borrow the Chronosphere, a metallic globe inside the chamber of the Grand Clock which powers all time. Returning to the past, she comes across friends - and enemies - at different points in their lives, and embarks on a perilous race to save the Hatter before time runs out. Presented in Digital 3D(TM), Real D 3D and IMAX (R) 3D, Disney's "Alice Through the Looking Glass" opens in U.S. theaters on May 27, 2016.
About Alice In Wonderland: Through The Looking Glass
Artist : Mia Wasikowska, Johnny Depp, Anne Hathaway, Helena Bonham Carter, Rhys IfansAs : Alice Kingsleigh, Mad Hatter, The White Queen, The Red Queen, Zanik Hightopp
Title : ⚓ Torrent Alice In Wonderland: Through The Looking Glass Leech Viewing HD FREE
Release date : 2016-05-27
Movie Code : 2567026
Duration : 110
Category : Adventure, Family, Fantasy
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I found myself trying so hard to like Alice in Wonderland that the process of watching it exhausted me.

Alice in Wonderland has its moments of delight, humor and bedazzlement. But it also becomes more ordinary as it goes along, building to a generic battle climax similar to any number of others in CGI-heavy movies of the past few years.

"Frabjous" may be a word Carroll invented, but Burton knows just what it means, at least in his own mind. He's clearly excited to invite us inside, and as long as you're open to so much muchness, you'll be very glad he did.

It looks like a CGI head trip gone postapocalyptic. In the film's rather humdrum 3-D, the place doesn't dazzle - it droops.

It might be time for Johnny Depp and Tim Burton to start thinking about seeing other people.

Though Burton's film boasts some excellent performances, as the caterpillar says to our heroine, it's merely "almost Alice."

In its big-budget extraordinariness, Alice is awfully.ordinary.

The true three-dimensionality here is the old-fashioned kind - Wasikowska's fully rounded performance. Throughout the technical razzle-dazzle, we keep returning to the pallor of that face, the gravity in those eyes.

Purists will squeal, but it's a workable and watchable liberty to take with an oft-filmed yet impossible to film novel.

Here's a riddle: What's Alice in Wonderland without wonder? It's a beloved character landing in the rubble of wrong-headed revisionism.

It's a workmanlike effort that will enchant all but the youngest children while holding the interest of parents. That, by definition, makes for a worthwhile family outing.

Alice in Wonderland is, strangely, about the movie you'd expect based on the talent involved.

Burton, bless him, knows you can't CG a soul.

When it comes to 3-D visual splendors, give me Wonderland over Pandora any day.

Its single biggest failing - an affront to Lewis Carroll and the charms of nonsense literature - is the fact that it makes sense.

IBurton and Woolverton pursue a message of self-fulfilment, not as vigorously as they might chase a rabbit but to the same delightful end.

It's just hard to know why Mr. Burton, who doesn't seem much interested in Alice, bothered.

Indecision haunts every frame. The result is a clattering, hectic spectacle that by the end has run out of inspiration. It's a home for abandoned ideas.

A film adaptation should, of course, treat its source material as inspiration rather than dogma. But did Burton have to get the books so entirely wrong?

Burton and Disney have found a glorious way to interpret fairy tales and fantasies.

A really interesting movie.

Alice plays better as an adult hallucination, which is how Burton rather brilliantly interprets it until a pointless third act flies off the rails.

"Curiouser and curiouser," says Alice in Tim Burton's latest, and for the first time I don't believe her.

A fantastical romp that proves every bit as transporting as that movie about the blue people of Pandora, his Alice is more than just a gorgeous 3D sight to behold.

Carroll purists and freshman English majors may be aghast at the change in story, but for those who watched Avatar and marveled at the images but were left wanting by the wooden acting and tired story, Alice is a treat.

So how's the movie? Mostly frabjous. The visual palette is more artfully riotous than that of other Alice films, the performances more zestful.

One pill makes you larger and one pill makes you small, and the pills Tim Burton gives you don't do very much at all.

You leave the theater with a pleasant grin on your face, but by no means is it as wide as the Cheshire Cat's, and that's a shame.

Alice in Wonderland isn't quite the natural fit of director and material that it seemed to be on paper, but most of Burton's recent movies have been far more disappointing.

Its best and strangest interludes assert Burton's skills as a fantasist, as well as Depp's as a squirrely, inventive character actor.

Combines the heavy-handed clamminess of unneeded brand remarketing with the hateful hollowness of overdone and empty computer-generated imagery. . With Burton's uninspired, underdone and underwritten version, you only feel like you're watching money.

Even Disney and a PG rating can't bury Burton's subversive wit. Like Carroll, he's a master at dressing up psychic wounds in fantasy.

Burton, one of the great visual artists in Hollywood history, is incapable of making an uninteresting movie. Still, I'm not looking forward to the sequel promised in the last scene.

A succession of chases and fanciful combats, more akin to Dungeons & Dragons than to Carroll, leads to a peculiarly truncated climax. The 3-D effects are enjoyable, but the added depth can't make up for deficits in the concept or the plot.

Gone: the liquid reality of dreams and a sense that anything can happen. In its place: another story of quests, destinies, and chosen ones.

Even considering the liberties Burton has taken with the original text, it's tempting to think that Carroll himself would consider him an altogether frabjous match.

A visually imaginative fairy tale that suffers slightly from its predictable course but still manages to wow at all the crucial moments.

Much of Carroll's magical nonsense remains, even if Burton's film wobbles at the gates of anarchy and ends up being a more average affair than many might expect.

[Depp's] wide eyes and high whimsy feel a bit derivative of his Willy Wonka (another collaboration with Burton), but he invests so much of his ample energy and instinct in these roles that it's hard to complain.

Though it has a few moments where you can see Burton's imagination giving way to Disney convention, along with a bit of trademark Burton darkness, the pleasures of Alice are virtually always unexpected.

No knockouts here. No tkos, either.

Carroll purists are likely to dismiss this Alice as spuriouser and spuriouser. But who expects a faithful adaptation of a literary classic from Timothy Beetlejuice?

The new Alice is casually absurd, off-handed in its violence, and doggedly on message. The movie is not just three-dimensional but blatantly programmatic.

The sweetly surreal feeling of those original books has been lost. What always felt like an English garden party gone slightly off has been replaced by the grotesque and the Gothic and the overdone.
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